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Sassetta, St. Anthony Distributing His Wealth to
the Poor, detail, 1440. Sienese painter.
Here we see an early-Renaissance example of what was
considered the bare minimum to wear. Often in wealthy people's portraits we
are seeing them loaded down, but these very poor people are quite a
contrast to that.
St. Anthony himself wears fairly fashionable clothing,
consisting of a knee-length giornea worn over a doublet and hose with no
discernible shoes. As a bonus, he holds a pouch -- we don't see many of
those.
Of the peasants, all wear a gownlike garment, not very
fitted. All of the garments look the same in cut, except for length. They
also look much thinner than comparable garments for wealthier people. The
hem of the woman's dress looks frayed, though this may be a trick of the
painting itself. The two women also wear pale (but not perfectly white)
veils over their heads. All figures except the beggar in black also wear
discernible shoes.
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Sandro Botticelli, Venus and the Graces Offering Gifts to a Young Girl,
1483, detail. Florentine school.
This woman isn't exactly poor, but her drab, close-fitting gown well
illustrates the simpler silhouette of a poorer woman. Note her wide
belt, though, and her plain veil.
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